Thursday, April 9, 2015

I'm off on Vacation!

Jesus Christ, did that TV ad seriously just say Xanadu is an all-time classic?! Look, I may not think it's one of the worst films ever made, but I don't think it's that good, and I frankly don't want to be in a country with a channel that thinks so, so effective immediately, I'm going to Europe!...

I'm just kidding. Well, about my reasons for going, anyway. Everything else is true (an all time classic, seriously?!). I am going on a two-month vacation to Europe! I'm leaving tonight, and you may not hear from me until the 1st of June. If I'm able to, I'll get reviews posted, but they'll be imageless until I get back. Until then, I hope to have a great time! See you all later!...

Wednesday, April 1, 2015

Rex: The Early Years (1997)


Can you believe that in four years of blogging, I've never once talked about Inspector Rex? I know right! What the hell is wrong with me?! Actually I have a genuine reason for not having done so in the past, and it's because DVD's from the SBS shop are darn expensive! How expensive, you ask? Well, Stockinger, the Inspector Rex spinoff, costs $80 dollars ($40 per volume, at the least), even though it's only fourteen episodes long!

Ok, I'd better start explaining what exactly I'm talking about. Kommissar Rex is an Austrian TV show that ran from 1994 to 2004, and is a cultural staple in Australia.  And thankfully, Australians aren't racist when it comes to subtitles, so we've always enjoyed the show in its original language rather than go "TWAIN'T NO WANT TA NO READ-READ! SUBTITLES IS FOR BOOKS!" and demand dubbing. We're cool that way. Overall, the show is so popular here that it could be moreso than in its home country!


The show is about Rex, a German Shepard police dog, who's always solving cases with his incredibly intelligence, as well as foiling the love lives of his owners. Rex is an adorable character, and provides a lot of humour and cute antics to the series...A series that's a dark cop show! I'm serious, episodes of Kommissar Rex can get downright morbid, and these are mixed in with nice Rex scenes! Thankfully this never causes a problem, and the series is never tonally awkward. It's too well-written for that.

Rex: The Early Years, or Baby Rex: The Little Inspector, is a made-for-TV origin story for the character. It follows Benny Nachmann, a young kid who adopts Rex after the pup is stolen from his breeder owners by a criminal working for a ruthless businessman named Kainz. Six months later, Benny and Rex go out hiking to investigate a water reservoir, where he realizes that illegal siphoning is occurring...


This is a very entertaining little movie! It tells a well-written story, with plenty of turns, and developments. It never feels like an unnecessary prequel, and it remains true to the spirit of the show. The tone of Rex: The Early Years is more kid-friendly than the TV series, as there's no brutal murders, frequent nudity, or copious bloodshed. Granted, the plot is still adult, as are the majority of characters. In fact, the plot is more adult than most English kids movies, that's for sure! What happens in an American kids movie when the villain is chasing the scamp of a lead? He'll try and tie him up, or lock him in a room. What does the villain in Rex: The Early Years do? He tries to gun the child down, and then he sticks him in a refrigerator to suffocate!


What I find really amusing is that this movie is rated G, so if it's on TV, parents will be sure to see it on in the TV guide and deem it a good family-friendly movie to pawn their kid onto for 90 minutes. Then, soon after, that kid sees that the Inspector Rex show is on in the guide, and asks if he can watch it. The oblivious parents say yes, and the kid is promptly traumatized by what he sees. He might as well be watching If the Dead Could Speak!

Rex is an iconic character, and seeing how he got his start is a nice treat! He's a superintelligent canine with a knack for detection, a tragic history, and an insatiable appetite for ham rolls. Naturally it doesn't take long before Rex starts asserting his trademark dominance over Benny. Did you throw him a ball? It's his ball now! Do you want to watch TV? Too bad, he wants to play. Do you want to get it on with a lady friend? Sorry, but Rex doesn't approve of such free will.

Bennie is a likeable lead, and he's intelligent and resourceful too, though he loses brownie points for his decision to go hiking on his own in an area prone to landslides that he was expressively forbidden to go. He's just lucky that he uncovered nefarious misdeeds. Overall, he's a smart lead, and he even has a mouth on him! That's Germany and Austria for you-You can say 'Shit' in a G rated movie!


Kainz is a very good villain, getting evil moments, as well as plenty of scenes throughout the movie to flesh out his character. The rest of the cast get plenty of screentime, particularly Benny's mother, who gets a subplot of her own.

The acting in Rex: The Early Years is good all round. I think the delivery of the actor playing Benny might be a bit phonetically pronounced sometimes, but I can't tell for sure, given the language barrier. Nothing major though.


Have you ever seen the grim Argentinean crime show Epitafios? Imagine that mixed in with the happy adventures of Rin Tin Tin and you've got yourself an episode of Inspector Rex! If that appeals to you, and if you can find the DVD's at a reasonable price (try online shopping rather than department stores or SBS shops), then I of course highly recommend Inspector Rex, as well as Stockinger, and Rex: The Early Years!...

Tuesday, March 31, 2015

The City of Lost Children (1995)


From the makers of Amelie comes...a movie that isn't Alien Resurrection! Thank God! Everyone can have their down moments, that's for sure!...

In an odd harbour city, a simpleminded strongman named One is looking for his kidnapped brother Grub. He soon comes across the old in-all-but-age little girl Crumb, a thief who takes pity on One and decides to aid him in his quest. They come across a whole host of weird people, from Crumb's vengeful conjoined bosses, a deranged cult of technologically enhanced whackjobs, and a near-invalid circus manager who wields mind control fleas. Meanwhile, a demented scientist named Kranck is living on a rig in the sea with four clones, a midget wife, and a talking brain in a water bowl. It's here where he conducts dual experiments on both himself and children, as he tries to steal their dreams and make himself young again...


City of Lost Children is a mixed movie. It's got some positive qualities, but overall, it's not great. Taking place in a surreal world, the film has a dreamlike tone that just barely saves the movie, by acting as an excuse for its myriad flaws such as the overabundance on dumb coincidences to further the plot, or important elements being introduced, then never seen again. One could argue that this is because such things happen in dreams, and the film is just being clever and stylish. However, just because dreams are like that, doesn't mean I like my bloody movies to be too! I actually want to see a film with a plot that isn't badly contrived!


The plot to the movie is weak in so many ways. First there are the above mentioned reasons, and then there's the Octopus thief gang storyline. They really didn't need to be in the movie, and their presence only distracts from the story the majority of film should be following, but otherwise isn't.

Speaking of that part of the film, there's one big plot hole. Why doesn't Kranck just hire a family for his experiment? It seems perfectly safe, and by hiring their services, he 1, wouldn't scare the children, so he could nail the experiment in one go, and 2, won't get in trouble with the law by kidnapping dozens of children, bringing massive unwanted attention his way. What's also infuriating is the the film isn't very clear on the fact that Kranck is rapidly aging because of his genetically-screwed condition, mainly due to the lack of aging effects on Daniel Emilfork's face. Because of this, we don't really understand much about the motivations of the film's antagonist!


Ok, onto the positives with the story now. While the start is a bit confusing, the world to City of Lost Children is established very well, the character motivations are clearly defined, for the most part, and the surreal atmosphere is quite successful, and never too in-your-face. There are also some really good scenes, such as the climactic dream. The direction in this movie is great, as you can imagine from a Jean-Pierre Jeunet film.

The characters in City of Lost Children are another weak link. The leads are proactive, but rarely successful. They're constantly needing to be rescued by others, never escape danged through their own actions, and One doesn't even contribute much in the climax! He harmlessly tosses a couple of the clones down a chute, then falls down a trapdoor, staying conked out on some railing for almost the remainder of the movie.

Irvin, the talking brain in a green fishbowl, is interesting, but his motivations are annoyingly unexplored. The original clone is a pretty decent character, but I don't like what happens with his character at the very end.


The biggest character issue with this film is that we barely see One's brother, so their relationship isn't fleshed out at all. Also, this kid's actions at numerous moments will leave you annoyed that you'll want the little brat dead! I mean, come on, you stupid kid, this base is about to EXPLODE in an orgy of fire! Can you forget about your stomach for one fucking second?! Goddamn children! Especially annoying is that this glutton is what closes out the film! Say, did you want the last frame of the movie be of a grubby kid burping in your face? No? Well too bad.

The acting is one of the good points about this movie. Some performances are more over-the-top, with mixed results, but overall, the acting is fine. Ron Perlman is good as the simpleminded One, while Judith Vittet is great as Crumb! Dominique Pinon is almost a bit annoying as the clones, but he does well, especially considering the amount of roles he has in the film! Daniel Emilfork looks as weird as he acts here, but he delivers a very good performance, even if he does overact with his face a lot. The actresses playing the Octopus twins are ok, while the remaining cast is decent.


The effects here are fantastic! The set design for this world is marvelous, and it looks wholly convincing! The aesthetic is also a sight to behold too, and it's a shame that it's not suppoerted all that well by the script. Unfortunately, the grand explosion at the end is mildly unconvincing CGI. The mind control fleas are damn good computer effects though, assuming that's what they are.


I'm not sure if I recommend The City of Lost Children. It has just as many bad qualities as it does positive. If it sounds at all interesting to you, then yeah, give it a watch. It'll at least pass the time well...

Body Melt (1994)


As an Australian, I love me some Aussie horror. While I absolutely despise my home country (because I like burning to death and/or losing all my worldly possessions as much as I like venomous snakes), it always fills me with pride seeing homegrown Aussie movies, especially of the horror variety! Unfortunately, the movie I'm talking about tonight, Body Melt, is not good, and it doesn't fill me with any positive feeling at all!...


An evil pharmaceutical company has picked out a street to send out some free samples to, which, unbeknownst to the denizens of Pebbles Court, are of a body altering drug that, due to a missing ingredient, slowly degrades the human body, causing horrific hallucinations, nightmarish contusions, and eventual gory death. It doesn't take long for the street to become a macabre testing ground as people die left right and centre, from killer placentas, mucus concussions, and ribcage explosions...


Body Melt is a dreadful piece of crap! It's a really annoying movie on multiple grounds. It has no substantial plot, and is more of a sequence of somewhat gory events. There's no cure for the drug, so everyone in Pebbles Court is already DOA, stripping the movie of any tension. We already know what's gonna happen, and it's boring watching a film with no surprises. If only the deaths had been the side-story, with a main plot following the police, then it might've had a chance of working.

The movie starts off seemingly as a surreal corporate espionage tale, but after the fifteen minute mark, it's suddenly mixed in with an out-of-nowhere plot right out of Texas Chainsaw Massacre: The Next Generation, only stupider! Even I can't believe I just said that! These parts of the movie are intolerable! They're incredibly annoying, ugly, and completely distract from the film we were up until now watching! These parts add up to nearly half an hour of an 80 minute film, and have nothing to do with the rest of the movie! They're only connected by the tiniest of threads, and even that's negligible! What's even worse is that these scenes lead to nothing! After a certain point, the hick family just drop out of the movie for no reason, never to be seen again.


The whole movie is one big plot hole. Why is this pharmaceutical company making killer drugs which not only blow up random people, but also themselves? Why are they using a street as a testing ground instead of kidnapping people off the street and sticking them in a cell? It's no more illegal than what they're already doing. Why aren't they doing safer trials instead of all these illegal and idiotic plans?! Worst of all is the nonsensical 'shock' ending!

Body Melt is frequently touted as a satire, but I didn't catch any. It seems like this film's only message is "Man, the pharmaceutical industry, am I right?!" without bothering to actually make an effort to satirize much of anything. Just showing death scenes thanks to a dangerous drug isn't some masterclass satire, but it rather just empty, dull, and boring!

Despite having no plot to speak of, Body Melt doesn't do its characters any justice. There's a cast of well over a dozen, and they're all wasted to an insane degree! They're either killed off quickly, underused, really annoying and overused, or just plain unexplored.


The effects in this movie are decent. The inbred hick family are unappealing, with so-so make-up, while the gore is pretty decent, albeit dumb, for the most part, and fake in others. But you know what's a 'bit' of a downfall? NO-ONE MELTS IN THIS MOVIE!

The techno score in Body Melt starts off pretty neat and quirky, even resembling the Blake Stone games, but after a while, it starts getting either dull and unremarkable, or mildly annoying.


The acting in this film is also unremarkable. It's ok, but there's nothing special, and the actors playing the hick family are really bad.

Body Melt's high spot is definitely that it includes Harold from Neighbours!...NO I DON"T WATCH NEIGHBOURS! To clarify, Ian Smith is pretty much the only likeable presence in the miserable-as-per-usual Aussie soap opera Neighbours. If you've never heard of it, well it's like Home and Away, but shitter. Seeing a likeable soap opera regular who you've seen on TV for decades playing a diabolical and deranged mad scientist is super neat! Unfortunately he's really wasted, and he's giving his all for a shitty movie, but he still turns in a very good performance. If only he did in a much better horror-comedy.


One last thing to note, just so my Aussie readers will know, Body Melt has quite the cast, with people like Andrew Daddo, Lisa McCune, Gerard Kennedy, one unmentionable (a total dick) and a few other Neighbours actors, apparently. They could actually be the ones I already mentioned for all I know, but I really don't care about Neighbours any more than I have to.

Body Melt is a bad movie! It's short, but not sweet, and I recommend you steer clear from it unless you want to be pissed of something fierce! This movie annoys me so much, and if I NEVER see it again, that will be entirely too soon!...

Maximum Choppage (2015-)


I'm sorry. As an Australian, I am deeply sorry to the world for comedian Lawrence Leung. I gave his first show from 2009, Lawrence Leung's Choose Your Own Adventure, a chance. I really did. I watched every episode in the hope that it'd become good, but it just didn't happen. The show wasn't terrible, but it was balanced squarely in the realm of simply not funny. Not unfunny, but rather anti-funny. It was trying to be, but none of the humour really seemed to get off the ground, and Leung came across as an ineffective host, but ultimately harmless. Flashforward to 2015, and Leung has started a new show, stupidly titled Maximum Choppage. What do I think of his latest effort? Well, to put it this way, sometimes I feel bad for giving content creators more chances than they deserve!...


Simon Chan was born and bred in Cabramatta, Sydney, but for the last few years, he's been seemingly studying Kung Fu in China, training to hone his body into the perfect weapon to defend the streets of Cabramatta with, and upon his homecoming, he's deemed the protector of old Market Street. However, his friends Petal and Egg find out that not only does Simon not know a single karate move, but he's really been in Melbourne this whole time, studying at art college. Unlike Simon's martial arts prowess, the gangs in Cabramatta are very much real, and Simon must think creatively if he's to defeat them, as well as keep his secret, and all the while, the conniving mayor has his eyes set on tearing down Market Street and replacing it with a high rise carpark...

Maximum Choppage was not a show I was looking forward to, and the ads had me convinced it was no good, but since I figured that'd mean this would make for a good review, and I generally decided to be cautiously optimistic, I decided to watch it, and at first, I was pleasantly surprised! Maximum Choppage was a mildly amusing show for its first four episodes, and while more than a few jokes missed the mark, I was filled with optimism and positivity!...And then I saw the last two episodes! They are not good!


Let's discuss this show's humour. The jokes that work are pretty funny, and certainly help give the show a bit of an identity. Unfortunately, there's also plenty of really lame humour, from either unfunny jokes, to tired and cliched ones. What's especially unfunny is how the series compares being a martial artist to heterosexuality, and being a painter to being gay. It's a running joke, and seeing people treat being an artist like a rabid homophobe would someone gay is nonsensical, and it leads to a depressingly and distressingly unfunny scene in the final episode. What's worse is that nothing comes of this joke in the end, as Simon never learns to embrace his role as an artist and tell everyone on Market Street the truth, so the moral of the series is just fucked up! 'Hey kids, are you gay? Well in that case, don't ever tell your family and friends, because they will despise you. Instead, why don't you divert attention from your own homosexuality by persecuting others like you'. Jesus fucking Christ on stilts, that is genuinely Maximum Choppage's message by the end!


The stories in this show are mixed. Some are good, providing entertainment, but others are just stupid, and some don't even have much fighting in them! The last two episodes though are just all round poorly written, with idiotic plots, and badly written character decisions, among other problems! Another issue is a plot hole that pervades the entire series, and is never explained-Why isn't Petal Cabramatta's protector instead of Simon? She actually knows kung fu, and is a master with it. She's been in Cabramatta this whole time rather than abroad, and is more than willing to throw down, so why hasn't she already dealt with the gang situation?

The pacing in Maximum Choppage is good, and while it's a pretty annoying sit some of the time, it's not entirely thumbscrews. As for the final two episodes however, forget everything I just said. Those suckers are damn interminable!


A big problem hanging over Maximum Choppage is something far more problematic than it simply not being funny. No, what's really bad about it is how not only does it trivialize gang violence, but it's also treats extreme violence as a genuine answer to everything. What's the problem with this, you may ask? Well Cabramatta hasn't been the 'rosiest of places', due to an extremely violent history of bloody gang violence, drug dealing, assassinations, you name it. As you can imagine, this makes the show all kinds of awkward! If you took out that latter point of violence being the answer, perhaps the former could be made to work, depending on either the writing, context, or amount of time created after said events, but here, none of those factors are competently helmed enough to help the series move beyond this issue.

The characters in Maximum Choppage are annoyingly static. It's like their characters are stuck on the first episode, as they're never advanced. They stay immobile, regardless of how much that affects the show, and whatever semblances of character arcs they get are just dropped without comment. Also annoying is the out of nowhere romance subplot with Petal and Simon, who previously showed no chemistry before the last two episodes at all. And to think I actually admired the show for portraying a male and female as just friends, and not just using Petal as a cheap excuse for a love interest. Just goes to show that I should be more cynical about these things.


Lawrence Leung is a decent lead, and a capable actor. He's better here than in his previous shows because there he was playing himself, so when he was being a weak and awkward presenter, that was actually him, but here, he's playing a character, so he comes off better this time. His sense of comedy, however, is still akin to some college graduate who quickly leafed over an outdated How To book on comedy (a comparison quite a few critics have levied against Leung, which describes him perfectly). The rest of the acting in this show is sometimes decent, while other performances are pretty annoying.

By far the best member of Maximum Choppage's cast is Stephanie Son. She's a great actress, and both badass, and very funny! If only she was the star, and not Lawrence Leung! I'm willing to bet she's a better writer, too!


The locale of this show is decent, but the effects, which are used more often than you'd expect, aren't very good. Some are decent, and none are bad, but nothing is overly impressive. As for the opening credits, they're an eyesore, and will give you a seizure if you have epilepsy.

My original assumption was that this show looked bad, especially given my expectations of the lead/creator, but despite that, I gave Maximum Choppage a chance, and what I got wasn't just a weak comedy, but also a deeply problematic show on more than one level! I'm done giving Lawrence Leung chances!...

Friday, March 6, 2015

Not This Time Nayland Smith's Fourth Year Anniversary

Man, it just wouldn't be a Not This Time, Nayland Smith anniversary without me forgetting again, would it! Thankfully this time I was only off by three days again, unlike that one time where I think it took me a fortnight before I remembered.

It's always been a fun ride blogging, and I've made many online pals over the years, which is probably the best thing to come out of my reviewing efforts. I have no plans in the future of stopping, but there will be a couple of bare months in April and May, as I'll be on holiday in Europe. I'll try and post pre-written reviews if I can, but I'm not sure.

Another thing I've been planning is a schedule, where I'll do reviews two days of every week, giving me a light and orderly workload that will still amount to over a hundred reviews a year. I'm not sure if I'll get around to actually going through with that any time soon though. Maybe I will when I (possibly most likely) move to Canada in a couple of years.

Well that's enough out of me. I've got to get back to writing my stories, which at this stage is some pretty surreal stuff. As always, thanks everyone for reading, and watch Grease 2 if you can!...

Saturday, February 28, 2015

The New Tomorrow (2005) [The Deadly Doll's House of Horror Nonsense's The Shortening]


Say, do you dislike soap operas? Do you find them boring, and wish that someone would make a genre soapie, and then we might actually get one that's good? Well Dark Shadows proved that a horror-soapie is still a soap opera, with all the trappings and cliches. Next, you may think 'Man, wouldn't it be awesome if we got a post-apocalyptic soap opera!'. That too is sadly a bad idea, as evidenced by The Tribe...

The Tribe was a New Zealand/Canadian TV show set in a world where all adults have died, leaving the young to fend for themselves in a harsh new world. Lasting for a surprisingly short 260 episodes (as opposed to 12,000), The Tribe was quite popular, but simply had to end once the producers realized their actors had now visibly become adults, therefore negating the entire point of the show. Two years later, a sequel was made, called The New Tomorrow...


In the far future, civilization has fallen, and all adults have been wiped out by a virus, leaving only children as survivors. Hundreds of years after the apocalypse, the virus is long since dead, but other ancient threats still abound, such as a group of mysterious patrolling machines in the area known as The Forbidden Zone. The new society is made up of various tribes, such as the Ants, the Barbs, and worst of all, the Privileged (Privs) and their Warps. While the Ants and Barbs are peaceful farmers and hunters respectively, the Privs are greedy conquerors, who want to expand their empire by taking over the neighbouring tribes. Now the Ants and the Barbs, two tribes with no love lost between them, have to team up to fight off the oncoming threat...

The original Tribe was a miserable show. I found it to be stupid and maudlin, with mediocre to terrible acting. As for The New Tomorrow, I hated it back when I saw it in 2005. From the acting to the story, and everything else, stupid young me thought it a horrid little show. But is it? No, actually, it really isn't!

Rather than focus on teens like its predecessor, The New Tomorrow was instead about actual kids, and this is a problem at first. The show seems optimistic that kids will be smart enough to set up tribes, customs, and agriculture, and preserve knowledge and language, following the apocalypse wipes out all adults. I suppose that is plausible, but seeing these kids all act as adults, especially the villains, who look so unthreatening at first, come across as impossible to take seriously. However, the show takes everything seriously, and because of this, as well as the good characterization, we begin to buy the age of these characters, their roles, and their intelligence.


The New Tomorrow is a very well-written show! It builds up its world really well, thanks to the numerous factions and their relations with each-other, the interplay between the villains, and the compelling and intriguing mystery about the malevolent machines that roam the Forbidden Zone. The religion in the show is also well-handled if you ignore the huge and maddening continuity errors it poses in regards to the original Tribe show. It brings a level of depth and darkness to the show's universe, and an impending sense of possible armageddon. Overall, The New Tomorrow has complex themes for a kid's show, such as war, which brings a genuine sense of tension and urgency; and religion, which gets both dark, and twisted at times, which is a mature subject for a show for ten year olds!


To compare this to its prequel, this show is miles better than The Tribe. The plot is a lot simpler, and more complex because of it, whereas from what I remember, the original Tribe show had too many plots, and was overcomplicated. The New Tomorrow is also a lot more positive, and thus true to its title. This really is a new tomorrow, and these protagonists are a hell of a lot more effective than the stupid Mall Rats.

Now let's get to the cast of this show. The characters in The New Tomorrow are all different and distinctive. For some, it takes a little while, and some can be annoying at times (for example, Omar will piss you off a lot at first, and you'll want Erin dead A LOT!), they genuinely evolve, and have a lot to them. The show also doesn't take the easy way out. For example, with the character of Gwyn, you'd expect her to be a Priv spy at first, then eventually realize the error of her ways thanks to her newly found brother, and the kindness of others, as she's just a meek former slave, but that doesn't happen at all, and Gwyn becomes quite a villainous and duplicitous character!


Unfortunately the ending to The New Tomorrow is rushed, due to its cancellation. It's not poorly done, it's certainly passable, and these character changes from the villains feel natural, but in one case, it feels like this should have happened after a longer passage of time. However, I am glad that the writers had the decency to genuinely wrap up the show. The show's still open for more adventures, of course, and the machines are still a mystery, but the series doesn't just end with a random episode, or a finale that accomplishes nothing. Ultimately, there are 26 episodes of this show, and it's certainly enough.

The effects in The New Tomorrow are very good! The village sets are well-made, and the Priv stronghold looks very fitting. And then there are the machines, which are well designed, and the sound effects for them gives them an eerie feel.  One amusing thing about this show is that despite the apocalypse, and the long passage of time, there's still more than enough hair dye and gel to go around, apparently, because every kid in this show has slicked-up hair, and multiple highlights! And then there's the face dye! Finally, one aspect to this show does feel unforgivably cheap-The establishing shots. Whenever the show cuts to the Priv camp, it keeps showing the same couple of establishing shots again and again. It's insane! Thankfully these begin to be phased out at the halfway point, and are replaced with newer, and more numerous ones.


The New Tomorrow is just barely connected to the original Tribe series, and the continuity is really off in many respects. For a start, where the hell are all the adults?! In the original series, it made sense, because the apocalypse had just happened and wiped the adults all out, but The New Tomorrow is set at least a hundred years in the future!

What's really a problem is that Bray and Zoot are elevated to god status in the eyes of everyone. Why is this a problem? Well, Bray and Zoot were characters from the original series, and they sure as hell weren't gods! They were just people! Assuming that these kids are the descendants of his bunch, how did their history get so damn corrupted that they thought Bray was a god who would return one day, as opposed to just some guy? And why have they cast Zoot as the evil god of their society? Zoot was an anti-villain who died in Season 1 of The Tribe. Now, stuff did happen involving worshipping him in later seasons of the show, but it was stupid there too, because Zoot was just some guy who died! He really wasn't as important as either the Zootists, or Mega thinks! He only died eight episodes in, leaving no time for him to make any kind of impression! Either way, Zoot was NOT that much of a bad guy, yet the characters in this show paint him as if he was a vile god of evil!

Hearing the Ants constantly worship the 'almighty' Bray is annoying as he was such a useless protagonist. He always screwed up! Hell, he didn't even succeed in stopping the mini second apocalypse at the end of The Tribe! And the fact that the machines exist just goes to show how useless Bray is! The Mall Rats were losers!


The acting in this show doesn't seem to start off well, and some performances are worse than others at first, but overall, the actors in The New Tomorrow do a really good job!

The scoring in The New Tomorrow is really good! The main theme is good, but too short (a longer version is played at points in the series, but not very loud, as it's just incidental music. On that note, unlike the original Tribe series, the people behind The New Tomorrow actually knew how to balance sound), while the other tunes are really good, lending greatly to the feel of the show.

The New Tomorrow is Conal Cochran's worst nightmare, and a great show for everyone else! As far as I know, there's no DVD release, but the episodes are all on Youtube, so you could watch them there. Unfortunately, they're in low quality, and most of the videos have huge (and glaringly incorrect) subtitles, as well as extremely intrusive sign interpreters, and digital interference. Long story short, if there already isn't a DVD release of The New Tomorrow, I hope there is soon, because it's a show that really deserves one!...

This post is for The Shortening, a blogathon set up by Emily of  The Deadly Dolls House of Horror Nonsense.