Horrors of the Black Museum was the first of what film critic David
Pirie referred to as the 'sadian trilogy', along with Circus of Horrors
and Peeping Tom, as they all had "an emphasis on sadism, cruelty and
violence (with sexual undertones) in contrast to the supernatural horror
of the Hammer films of the same era".
Horrors of the Black Museum also used Hypnovista, one of those goofy William Castle-style theatre gimmicks.
HotBM is about a writer of horror fiction who's gone off the deep and is causing people to die so he can get inspiration for his novels.
The movie opens by introducing Hypnovista, and credits Emile
Franchel, a psychologist with a speciality for hypnotism. Then the movie
tells anyone in the audience who's ever been hypnotised by Emile
Franchel to step out of the theatre for the next thirteen minutes! (the theatres of the 50's were awesome!)
The movie cuts to Franchel (actually a real person) giving a lecture to the camera. He talks about hypnotism, and the power of suggestion,
and after he talks about the contagious power of yawning (which did
make me yawn! What the hell is up with yawns!?) he shows several
mind-bending images, then tries to hypnotise the camera with an
archimedes spiral. Then he starts waffling on about how easily other
senses can be fooled, and he gives a very stupid example. He says that
when we carry ice somewhere, out touch senses fool us into thinking that
our hands are burning (heat burning, that is)-Nope, wrong, and incorrectomundo, Mr. Franchel
you dumbass, cold burns as well! Where did this guy get his doctorate!?
So in total, this bloody lecture goes on for thirteen minutes!
The movie starts off properly in London, with a mailman handing a
package to a woman. The scene that follows is actually pretty
disturbing, so I won't spoil it for those who want to see the movie.
After the woman's death, her friend who witnessed it talks with the
police. After she leaves, (crippled, and with a cane) writer Edmond
Bancroft (Michael Gough) arrives, asking to see the object that killed
the woman. Surprisingly enough, they actully let him look at it, instead
of booting Bancroft the hell out of their office. This woman's murder
is the third that's ocurred in the past two weeks. Bancroft also points
out that the weapons used to kill all three victims are all similar to
ones in Scotland Yard's Black Museum (a collection of "criminal
memorabilia").
Bancroft goes to his doctor, Dr. Ballan (Gerald Anderson) to get a
check-up, and Ballen warns Bancroft, telling him that he can't stomach
murders (until he writes about them), and that the stress could give him
a fatal heart attack. Bancroft shrugs off the advice and leaves.
Bancroft arrives at his home, where his assistant Rick (Graham Curnow)
is doing research for Bancroft's newspaper column. Bancroft then goes
into his own private black museum and waxes about how cooler it is
compared to Scotlan Yards (sure, he's conceited as hell, but the museum
is awseomely macabre!). Meanwhile, Dr. Ballan dictates to his nurse that
he is worried that Bancroft's mental health, and that he thinks the
writer is becoming unbalanced.
Bancroft
goes over to his girlfriend Joan's (June Cunningham) apartment, where
she angrily breaks up with him. Joan goes out in a bar and has a night
on the town, and when she's hammered, she's escorted back to her
apartment by a couple of policemen. She gets kitted up in a knightie,
goes onto her bed andWHAM guillotine to the face! Or rather, she just
lies down and screams instead of moving! A deformed man is responsible
for the murder, and he flees the apartment, seen by many.
The police arrive at the scene of Joan's murder and the
apartment's tenants get a chance to overact when describing the killer.
They all describe the killer as an old man, and a kid speaks up and says
that earlier, he saw a man with a cane at her apartment. Later,
Bancroft is at a party, and he talks with the police commisioner, who
tells him that the police caught the murderer, a man named Tom Rivers
and got a full confession for all four murders.
The film cuts to the police station, where Rivers (Howard Greene)
is being interrogated. He confesses to all four murders, and several
others. He also cofesses that his next murder will involve a death-ray
that he'll shoot from his eyes. The police, who recieve a report that
Rivers is a harmless schizophrenic, doubt his guilt, and they decide to
play along with his confession (for some reason).
Meanwhile, Bancroft talks with Rick, then leaves, and Rick sneaks
out. He goes to a park and visits Angela (Shirley Anne Field), his
girlfriend. When talking about Bancroft, Rick says that he feels an unknown hold to Bancroft, as if he can't disobey any word he says.
Soon enough, more murders occur, and Bancroft's connections with the murders, as well as Rick's becomes apparent...
This isn't a very good movie, it sucks to say. I was expecting a
fun movie, but Horrors of the Black Museum is just boring. As for the
film's positives, the murders are cool (and sometimes very silly-fun
silly) and Michael Gough is great as the psychopathic Edmond Bancroft.
The rest of the acting is decent.
Onto the negatives, for one, the thirteen minute opening is
annoying, and for a movie with a 'Hypnovista' gimmick, hypnotism
doesn't even play into the damn movie! There are few murders, and long stretches of boring talking scenes in between. Some character's act really
stupid too! A shopowner associate of Bancrofts sees a picture in the
paper and notices that the murder weapon (the one from the film's first
scene) was purchased from her store. So she decides to blackmail the
psycopathic serial killer-naturally, ten seconds later, she gets
ice-tonged to death. The other stupid character is Dr. Ballan. He
realizes that Bancroft is the murderer, but instead of notifying the
police, he goes directly to Bancroft and tells him to come with him as
doctor/patient to the station-the 'smart' Dr. Ballan not only gets
zapped by a death ray (um...) but also dunked into a vat of super-acid,
which turns him into a science class skeleton in seconds!
The film's ending was also anoying as well! This is a film that I
wouldn't recommend to any fans of horror, save for the opening kill and
Michael 'Alfred' Gough's great performance. Neither of them can come close to saving this movie.
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